简介：The Kindred（试管人魔）　　剧情大概：　　约翰医生的弟弟因为车祸而丧生，可他却把自己弟弟的遗体当作试验品改造成了怪物，此时他的朋友们来到其居所看望他，一阵腥风血雨即将到来……（此片感觉像变蝇人 怪形的结合体，但故事并不怎么出彩，不过怪物的样子还算比较独特）　　血腥度：3　　片中怪物数量：少量　　怪物类型：人造生物 变异　　怪物特点：试管培育出来的怪物，可迅速长大，有传染能力，触手系　　怪物必杀技：穿刺、再生、同化　　怪物恶心度：3　　————————————————by zombiehunter

简介：芭儿（布莱娜·布罗恩 Brianna Brown 饰）和强尼（肯·华德 Ken Ward 饰）驱车赶往家乡，去参加阿姨的葬礼。他们的车直接开到墓园，然而这里却空无一人，只有棺木停在墓穴的旁边。正当他们诧异之时，两个奇怪恐怖的男人袭击了准备电话求助的强尼，强尼吓得夺路而逃。芭儿继而发现，这两个人已变成吸血僵尸，连她的妈妈（Marcia Ann Burrs 饰）也成为他们中的一员。芭儿落荒逃跑，沿途的景象让她惊慌失措，似乎那久为归来的故乡已经变成充斥着恐怖僵尸的修罗场。路上，芭儿被瘾君子本（Joshua DesRoches 饰）搭救，暂时逃脱僵尸的攻击。但是她的恶梦并未就此结束，漫漫长夜仿佛没有尽头……

简介：正驻扎于伦敦的马戏团内，生活着自幼驼背的青年（丹尼尔·雷德克里夫 Daniel Radcliffe 饰）。他的丑样子只能供人家取乐，而青年独独热爱医学，尤其擅长解剖学。在某次演出事故中，青年用自己的学识救下了摔成骨折命悬一线的女演员罗蕾莱（杰西卡·布朗·芬德利 Jessica Brown Findlay 饰）。他的学问得到疯狂科学家维克多·弗兰肯斯坦（詹姆斯·麦卡沃伊 James McAvoy 饰）的赏识，于是后者想方设法将其劫了出来，还为其起名伊戈尔。在此之前，弗兰肯斯坦曾经做出盗取动物园死亡动物尸体的事情，而他这一系列的做法只为进行一项疯狂大胆的实验，那就是缝缝补补创造出来人造的生物。　　疯狂之旅就此展开……

简介：当发电厂发生意外事故时，废水管爆破而排放出含有放射物质的废水，虽然发电厂厂长极力挽救，但是废水已经污染到学校的水源。学校内一名学生喝下受到污染的自来水后，即产生化学反应跳楼死亡。华伦和克莉丝想警告其他学生，但是没有人相信他们?！?#39129;车党」再度攻击华伦和克莉丝，将他们逼入地下室而面对「巨型怪物」，十二尺怪物追逐他们进入学校的实验室，即开始产生化学变化而引起放射性爆炸反应，于是整个学校被炸成一片废墟，而华伦带着克莉丝设法逃出现场，却陷入危险重重的困境……

简介：Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance.　　The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity).　　Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH).　　As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does.　　The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome.　　For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him.　　The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!)　　Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying.　　This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from.　　As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.

简介：一晚，在开往蒙特利尔的路上，马丁·德朗布尔（乔治·巴克 George Baker饰）邂逅了年轻美丽的女孩帕特里夏·斯坦利（卡罗尔·格雷 Carole Gray饰），两人迅速坠入爱河。初见帕特里夏时，她身上只穿着内衣，面露惊色的一路狂奔。她没有告诉马丁自己刚从精神病院逃跑的秘密，而马丁同样隐藏了一个惊天秘密：他和他的父亲亨利·德朗布尔（布莱恩·唐莱维 Brian Donlevy饰）正在进行一项疯狂而激进的实验。他们正在研制一台能够将物体传输到另一个地方的机器。与此同时，马丁身体里隐性的苍蝇基因正在苦苦折磨着他?！　　?#21464;蝇人的诅咒》是1958年的《变蝇人》和1959年的《变蝇人回归》的终结篇。区别于之前两部系列影片，本部电影在英国摄制完成。然而，这部多年罕见的电影，是“变蝇人”系列电影中唯一一部没有录像带或光盘发布的版本，甚至没有在国内首映。直到2007年，它终于首映并与其他原系列电影一起发行出售。

简介：这部电影的故事情节涉及纽约多个居民犯下的一系列无动机谋杀案：一名狙击手从水塔中射杀人; 一位父亲谋杀了他的家人; 在圣帕特里克节游行期间，一名警察向人群开火。 犯罪的唯一共同点是肇事者都冷静承认有罪，并解释说，“这是上帝的旨意?！?在调查谋杀案时，天主教警察彼得·尼古拉斯越来越多地被一个名叫伯纳德·菲利普斯的证词所困扰，他们发现每一个杀手出现，似乎都无法摆脱他自己的命运与这种神秘事件的联系。随着他逐渐接近真相，他最担心的事情得到了证实。

简介：Reboot of The Munsters, that followed a family of monsters who moves from Transylvania to an American suburb.

简介：爱德华博士是一位有虐待癖的科学家，与其助手杰弗瑞发明了可以透视外层空间的机器。 　　一次实验中爱德华博士被外层空间的怪兽吃掉头颅，致使杰弗瑞被警方嫌疑，警方派出了警官肯和美丽的精神科医生芭芭拉调查。 　　为了澄清真相，芭芭拉要求杰弗瑞再现当时情景，杰弗瑞无奈打开机器以至使已经死亡的爱德华在外层空间以怪兽状现身，并迷上了芭芭拉医生 。此时的芭芭拉医生也难以自抑，原来此机器可刺激脑垂体使人具有超能感觉。无法自抑的芭芭拉再次启动机器，以享受这超能感觉，代价是牺牲了肯警官，并使自己与杰弗瑞一同关进了精神病院。 　　经历磨难的芭芭拉想毁掉机器，寻找更强超能感觉的杰弗瑞也逃出了精神病院，而此时深迷芭芭拉的爱德华博士也在外层空间启动了机器企图占有芭芭拉。

简介：海洋生物学家艾布·安德森和宇航员哈罗德·理查兹中校自愿参加了一个科学研究项目：驾驶飞船前往宇宙尽头。十三年过去，两人在飞船上度过了漫长而无聊的岁月，渐渐从互看不顺眼的陌生人，变成了至交好友。每日与蜜蜂、老电视剧，与飞船做伴，两人不知何时能走到宇宙的尽头，无奈与焦急的期盼着。然而一次意外中，哈罗德触电身亡，留下对驾驶飞船一无所知的艾布，面对着茫茫宇宙彷徨失措，正当艾布万念俱灰，准备结束自己的生命时，飞船驶入一片黑暗，紧接着怪事发生了，艾布似乎发现了宇宙深处的惊天秘密......

简介：世世代代都靠养蜂业的维持的苏玛斯市出现了杀人蜂,哈利斯和勒里向人们发出了警告，但是市民和农民却抱着怀态度，不愿意支持他们的工作，蜂群大举袭击了村民之后，人们终于清醒了，勒里猜度杀人蜂是在寻找栖息的地方，而杀人蜂确实是在寻找栖息之地。它们占据了展览厅，很多人包括哈利斯的家人都被困在其中，哈利斯和勒里能否把人们救出生天呢？

简介：An earthquake in the Salton Sea unleashes a horde of prehistoric mollusk monsters. Discovering the creatures, a Naval officer and several scientists attempt to stop the monsters, but they escape into the canal system of the California’s Imperial Valley and terrorize the populace.

简介：爱德华博士是一位有虐待癖的科学家，与其助手杰弗瑞发明了可以透视外层空间的机器。 　　一次实验中爱德华博士被外层空间的怪兽吃掉头颅，致使杰弗瑞被警方嫌疑，警方派出了警官肯和美丽的精神科医生芭芭拉调查。 　　为了澄清真相，芭芭拉要求杰弗瑞再现当时情景，杰弗瑞无奈打开机器以至使已经死亡的爱德华在外层空间以怪兽状现身，并迷上了芭芭拉医生 。此时的芭芭拉医生也难以自抑，原来此机器可刺激脑垂体使人具有超能感觉。无法自抑的芭芭拉再次启动机器，以享受这超能感觉，代价是牺牲了肯警官，并使自己与杰弗瑞一同关进了精神病院。 　　经历磨难的芭芭拉想毁掉机器，寻找更强超能感觉的杰弗瑞也逃出了精神病院，而此时深迷芭芭拉的爱德华博士也在外层空间启动了机器企图占有芭芭拉。

简介：英国政府邀请抗击鲨卷风的英雄芬?谢泼德参加关于抵御鲨卷风的高级会议。但他的好友诺娃在此时紧急联系他前往巨石阵探寻人类祖先抵御鲨鱼的秘密。两人在神秘洞穴中取得神器，却没想到引发了大规模的风暴，无数鲨鱼从天而降，世界各地接连遭遇灾难。芬和诺娃匆忙赶回，与半机器人的妻子阿普里尔和小儿子吉尔并肩作战。然而风暴太过猛烈，诺娃没能保护好吉尔，致使他被卷入风暴。芬和阿普里尔心急如焚，想方设法欲进入风暴救出儿子。他们被风暴带到瑞士、澳大利亚、巴西、意大利和日本，所到之处哀鸿遍野，一片狼藉。这时，被海上核废料污染发生变异的鲨鱼愈发凶猛，芬的家人朋友纷纷殉难，噩耗接踵而至。痛心疾首的夫妇二人将何去何从，他们将如何阻止灾难的继续？

简介：随着她母亲的去世和痛苦的离婚，安妮和她的女儿搬回她童年的家。起初一切似乎很好，但悲剧再次发生时，在一个雾蒙蒙的晚上，艾米丽失踪了从她的卧室。安妮声称她从黑暗中看到了什么东西，并带走了艾米丽……一个生物。

简介：街头女骗子Julia被绑架，将被用于做一个致命实验，她的唯一希望寄予幕后黑手Alex创造的一项人工智能TAU，装备有大量的无人机和机器人，能自动操纵Alex打造的智能房屋和实验室，墙壁内村有屏幕，能从草原变为深度空间。TAU的能力受限于它所理解当下所处的环境，但它的潜力远不止于此。足智多谋又勇气十足的Julia将与时间作斗争，在人与机器之间建立信任的桥梁，争取重新获得自由，而不会落入和之前6位同样被用于实验之人的同一个下场。

简介：SUPERCOOL马其顿动作幻想片！　　sometimes i think it's a shame that movies like this one don't get the exposure that they deserve - that very few people will get to enjoy them... but sometimes, i think that the lack of exposure is what makes movies like this one - if indie was mainstream it wouldn't have been indie, would it... so, the best thing i could say about Zbogum na 20 vek is a that it's a great movie, but it's not for everyone. the story is rather controversial, the level of blood and gore on screen is rather high (it makes the US horror flicks from the '90s look like kindergarten cartoons) and the editing... well, it's so uneven, that it might induce vomiting... however, if you have the stomach to go over these things, chances are that you will love this film, because it is indeed full of heart. if you don't love it, watch it again... once you know what's happening in the movie it will be much easier for you to pick up all the small details that not only make the scenes look cooler, but also deeper (i have a theory that the whole movie could be seen through symbols only, but it's too long to write it down here)... none of my friends liked it at first, but after two or three viewings, they find it at least respectable if not outright brilliant... so, to cut things up, if you can find this movie, see it by all means. 9.510

简介：故事紧承上一部展开。在丈夫为保护家人牺牲后，伊芙琳（艾米莉·布朗特 饰）不得不独自带着孩子们（米莉森·西蒙斯、诺亚·尤佩 饰）面对全新的生存挑战。他们将被迫离开家园，踏上一段未知的旅途。在无声的世界里，除了要躲避“猎声怪物”的捕杀，铺满细沙的道路尽头还暗藏着新的危机。

简介：派屈克與父母到小島渡假，不料遭到不明生物攻擊，他的父母因而喪生！劫後餘生的派屈克因打擊過大而精神失常，心理學家為了幫助他療傷，特地帶他重回舊地，卻再度遭受擊…。後來才發現，因為石油公司在小島進行鑽探工作，破壞了自然生態，讓巨型蜥蜴科摩多產生攻擊性，他們能夠全身而退嗎？

简介：SUPERCOOL马其顿动作幻想片！　　sometimes i think it's a shame that movies like this one don't get the exposure that they deserve - that very few people will get to enjoy them... but sometimes, i think that the lack of exposure is what makes movies like this one - if indie was mainstream it wouldn't have been indie, would it... so, the best thing i could say about Zbogum na 20 vek is a that it's a great movie, but it's not for everyone. the story is rather controversial, the level of blood and gore on screen is rather high (it makes the US horror flicks from the '90s look like kindergarten cartoons) and the editing... well, it's so uneven, that it might induce vomiting... however, if you have the stomach to go over these things, chances are that you will love this film, because it is indeed full of heart. if you don't love it, watch it again... once you know what's happening in the movie it will be much easier for you to pick up all the small details that not only make the scenes look cooler, but also deeper (i have a theory that the whole movie could be seen through symbols only, but it's too long to write it down here)... none of my friends liked it at first, but after two or three viewings, they find it at least respectable if not outright brilliant... so, to cut things up, if you can find this movie, see it by all means. 9.510

简介：在一座古老的阴森恐怖的坟场中，经常发生一些莫名其妙的惨案，令人百思不得其解。这天，麦克（A.麦克?鲍德温_A. Michael Baldwin 饰）最好的朋友不幸也在坟场中遇害了。伤心欲绝的麦克发誓一定要为朋友报仇，于是他决定深夜前往坟场找出朋友遇害的秘密。于是这天夜里，麦克偷偷潜进了坟场。半夜过后，麦克看到了令人毛骨悚然的一幕，这个古老的坟场里竟然居住着大量的丧尸，他们都以食人为乐！惊慌不已的麦克甚至以为自己看了幻象！

简介：Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance.　　The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity).　　Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH).　　As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does.　　The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome.　　For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him.　　The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!)　　Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying.　　This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from.　　As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.

简介：想象一下，连环杀手一次又一次的侵入到被害人的脑中，直到被害人祈求永久地死去。这一次，美丽的女探员换成了苔丝·圣地亚哥。

简介：警方设立一个名为“2002”的部门，专门对付祸害人间的游魂野ccc。部门内潮是拥有阴阳眼的人类，Sam则是个鬼魂，整个部门便由这一人一鬼组成。期间他们遇到了形形式式的加害人类的鬼魂，并一一收复了。后来潮受死去的四婆所托，帮忙照顾住院中的孙女Rain。潮爱上了医院中的一名护士。但他要专心与Sam一起对付水鬼，这场争斗将决定他们的生死。

简介：一个秘密实验室在接管并研究来自外太空的生物，没想一个科学家不幸被外星　　人咬到从而发生异变，接下来事情变得越来越恐怖，未知病毒迫使人类异化成　　恐怖恶心的食人怪物……

简介：一个偏僻的小镇上，四个小男孩共同在一个废弃车站救了一个智障男孩，由此各自获得了神秘的能力。此后的25年里，四个人长大成人、各奔东西，但在每年的狩猎季节仍要重聚在缅因州的森林里度假，一起重温童年的快乐。又到了一年聚会的时候，四人到了森林，却被一场暴风雪困住，与此同时降临的还有一些来自外星的古怪生物，四个人逐渐了解到，外星生物想要对人类展开控制，而当地驻军的遏制方案是连同小镇所有人一起毁灭。四人果断参与进这起事件，开始寻找儿时的能力，试图打退外星人，拯救当地平民……

简介：巴里（Barry）是个充满毒品的虐待性混蛋，在又一个弯刀之后，被外星人绑架。 当外星访客控制住自己的身体，并通过开普敦（Cape Town）进行操纵时，巴里（Barry）坐到了后座。 当我们的外星游客进入人类奇怪而美好的世界时，随之而来的是毒品，性和暴力的冲击。 弗里德·巴里（FRIED BARRY）是根据同名的短片改编而成，该短片获得了57场官方提名，并在全球电影节上获得了12场胜利。

简介：SUPERCOOL马其顿动作幻想片！　　sometimes i think it's a shame that movies like this one don't get the exposure that they deserve - that very few people will get to enjoy them... but sometimes, i think that the lack of exposure is what makes movies like this one - if indie was mainstream it wouldn't have been indie, would it... so, the best thing i could say about Zbogum na 20 vek is a that it's a great movie, but it's not for everyone. the story is rather controversial, the level of blood and gore on screen is rather high (it makes the US horror flicks from the '90s look like kindergarten cartoons) and the editing... well, it's so uneven, that it might induce vomiting... however, if you have the stomach to go over these things, chances are that you will love this film, because it is indeed full of heart. if you don't love it, watch it again... once you know what's happening in the movie it will be much easier for you to pick up all the small details that not only make the scenes look cooler, but also deeper (i have a theory that the whole movie could be seen through symbols only, but it's too long to write it down here)... none of my friends liked it at first, but after two or three viewings, they find it at least respectable if not outright brilliant... so, to cut things up, if you can find this movie, see it by all means. 9.510